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The scientific and cultural project EDA has identified its aim in the thought of Werner Heisenberg, Nobel Prize for the Physics in 1932

... It is probably true quite generally that in the history of human thinking the most fruitful developments frequently take place at those points where two different lines of thought meet. These lines may have their roots in quite different parts of human culture, in different times or different cultural environments or different religious traditions: hence if they actually meet, that is, if they are at least so much related to each other that a real interaction can take place, then one may hope that new and interesting developments may follow.

 

 

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Ultimi Articoli

Articolo
The Fiction of Reason: Tafuri and the Avant-Garde
Though many architects reject the system of rational urban planning by presenting utopian designs, critics like Manfredo Tafuri consider the most experimental projects of the 1960s and 1970s as meaningless paper architecture with no concern for the social reality of the city. He connects the contemporary architecture with the historical avant-garde of Italian rationalism, which was always related to social transformation and critical resistance against established society, and considers modernism as a development in which the avant-gardes - visions of utopia come to be recognized as an idealization of capitalism, a transfiguration of the rationality into autonomous form. Yet, Tafuri also relates Le Corbusier´s rational designs to multiple readings that also include a surrealist sensibility. He constructs the architectural concepts around the struggle between the universal values represented by nature and the rational values represented by technology. A case in point is the Beistegui Apartment in Paris (1930–31) who was a collector of surrealist art.
The architecture of the 1960s and 1970s overthrew the modernist principle of formal composition, functional fit, and constructional logic by opening up the discipline to the realm of artificiality, consumer imagery, Pop art and science fiction aesthetics. Yet, critical positions, such as Tafuri, speak of a technocratic idealism, claiming that this submission to the present totalizing technologically advanced conditions of production and consumption would strip the emergent experimental lineage of a social and political efficacy. Tafuri dismisses both the modernist ideology of the functionalist plan and the naïve belief in progress. Both positions make architecture the efficient agent of capitalist 'planification' and, indeed, complicitous with the commodity system, that fully arrived in postwar consumer culture. Hence, such projects cannot serve as operative criticism, which aims at the reengagement of the discipline, because the autonomy of architecture closely connected to its social functions.

Inserito il 13/01/2017 10:41 - Leggi tutto »


Articolo
Continuità e razionalità del progetto
The architecture rational measure is all inside the lesson Alberti once the bill takes charge of responding to the needs of modernity of their time without giving up the arduous search of concreteness. A measure representing values and meanings or even more often, such a limit to be defined in one word ethics and aesthetics of architecture.
Through the concreteness of the classical legacy rationalist compositional research is recognized in the theory of a method, the extent of the form, the texture of a real and concrete language with the responsibility due to issues such as architecture and the city they are civil, public and collective.
The rational architecture building process is therefore recognizable origin, the idea, and its purpose, the construction. In modernity of its rational project explores the time of classical culture to grasp the meanings and values and transfer the idea of a logical architecture and concrete keeping in mind that the architecture draws nourishment from the ancient roots being able to consider the classic nous generator that particular world of architectural culture of the rationalism.
As with Adolf Loos, the consistency and coherence of theoretical Aldo Rossi of the classical world finds its construct and refined in history of tradition with the certainty of tradibilità of the past. As for the Alberti adheres to the reality of the time and the culture of an to express the authenticity of the work.
Ernesto Nathan Rogers, Ludovico Quaroni and Giuseppe Samonà have interpreted the difficult modernity of the twentieth century in the schools of Milan, Venice and Rome and Rossi reflects the heritage of the outstanding masters of rationalism to renew and transmit the rational language in Italian schools of architecture and leads to completion the Homeric myth of the father who is so accomplished their spirituality.

Inserito il 12/01/2017 02:40 - Leggi tutto »


Articolo
La torre del templo Santa Lucía, Ambalema, Colombia
This document describes the modelling and structural analysis process of the tower of the ancient temple of Santa Lucia in Ambalema, Colombia. Considerations used in the construction of a fully three-dimensional model are presented; the model was used to obtain an approximation of the state of stresses in the structure, produced by seismic and service loads. Seismic loads were obtained by using a linear dynamic analysis, in which maximum values of stresses are produced by an abrupt change in the rigidity of the structure, this could cause failure in the most critical points, under the occurrence of a higher magnitude earthquake than the one analyzed in this paper. Stresses produced by service loads do not exceed the strength of the materials; this condition does not represent any failure risk for the temple

Key words: Historical structures, patrimony, masonry, seismic analysis, modelling, finite elements.

Inserito il 11/01/2017 07:40 - Leggi tutto »


Articolo
Cinque domande sull'attualità del razionalismo architettonico

PREFACE
EdA Esempi di Architettura, Vol. 3 ,n.2, 2016

Original text: FÜNF FRAGEN NACH DER AKTUALITÄT DES ARCHITEKTONISCHEN RATIONALISMUS by Uwe Schröder
Translation in Italian by Silvia Malcovati

Inserito il 10/01/2017 07:04 - Leggi tutto »


Articolo
Francesco Fichera / Guido Canella
Architect of “altro moderno” and that of “post modern” fought, in different times, a cultural battle with a common aim: to overcome the stylistic homogenization of International Style. The theoretical and methodological convergences between these two architectural “schools” can be analyzed through the juxtaposition of thought and works from two of the most representative architects: Francesco Fichera and Guido Canella.

Inserito il 09/01/2017 08:55 - Leggi tutto »



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